爱博电视

果然捞网到了以后不用给鲷妹升国旗

就都起来了~ 哈~


↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
馆内好久没有我这麽喜欢的展览了! 展览以中国传统绘画或器物的複製及再现为蓝本,呈现出当代艺术的样貌,由今看古或以古鑑今,或是隐喻或是讽刺。问题十五)

问题九.你是否觉得你的肤色不够白晰呢?
是(请回答问题三)
否(请回答问题十六)

问题十.请从下列两种花中选择你较喜欢的一种:
向日葵(请回答问题十四)
野菊花(请回答问题十一)

问题十一.你是否一个有责任心的学生或职员呢?
是(请回答问题五)
否(请回答问题十七)

问题十二.你最近对手工艺有兴趣吗?
有兴趣(请回答问题十八)
没有兴趣(请回答问题六)

问题十三.你认为你是一个亲切友善的人吗?
是(请回答问题七)
否(请回答问题十九)

问题十四.你介意与一群异性朋友睡在相同的一张床吗 ?
介意(请回答问题二十)
不介意(你属于A型)

问题十五.运动是否你主要的业/课馀活动呢?
是(请回答问题九)
否(请回答问题二十一)

问题十六.你对理科有兴趣吗?
有兴趣(请回答问题十)
没有兴趣(请回答问题二十二)

问题十七.请从下列两种颜色中选择你较喜欢的一种:
橙/橘色(请回答问题十二)
红色(请回答问题二十四)

问题十八.你较喜欢山还是海洋呢?
山(请回答问题十三)
海洋(请回答问题二十五)

问题十九.你会妒忌比你出色的人吗?
会(请回答问题十四)
不会(请回答问题二十六)

问题二十.你介意在公众场所大笑或大声谈话吗?
介意(你属于C型)
不介意(你属于B型)

问题二十一.你会经常收拾你的房间吗?
会(请回答问题十六)
不会(请回答问题二十八)

问题二十二.你喜欢看电视的体育节目吗?
喜欢(请回答问题二十三)
不喜欢(请回答问题二十九)

问题二十三.你认为纯友谊关係能够在异性朋友在之间存在吗?
能够(请回答问题十七)
不能够(请回答问题十)

问题二十四.你想学习烹饪吗?
想(请回答问题十八)
不想(请回答问题三十一)

问题二十五.你对互联网络(Internet)有兴趣吗?
有兴趣(请回答问题十九)
没有太大兴趣(请回答问题三十二)

问题二十六.你较喜欢下列哪一种性格的人呢?
运动型(请回答问题二十)
成熟型(请回答问题三十九)

问题二十七.你喜欢穿著及炫耀名牌时装吗?
喜欢(你属于B型)
不喜欢(你属于D型)

问题二十八.你较喜欢狗还是猫呢?
狗(请回答问题二十二)
猫(请回答问题三十四)

问题二十九.你通常会携带香水出街吗?
会(请回答问题三十)
不会(请回答问题三十五)

问题三十.你较喜欢太阳还是月亮呢?
月亮(请回答问题二十三)
太阳(请回答问题二十四)

问题三十一.你经常改变你的髮型吗?
是(请回答问题二十五)
否(请回答问题三十七)

问题三十二.服务其他人令你觉得很忙碌吗?
是(请回答问题二十六)
否(请回答问题三十八)

问题三十三.你通常保持整齐的头髮吗?
是(请回答问题二十七)
否(你属于C型)

问题三十四.你有烹饪恐惧症吗?
有(请回答问题二十九)
没有(请回答问题三十五)

问题三十五.你是否拥有很多装饰品呢?
是(请回答问题三十六)
否(请回答问题三十七)

问题三十六.你喜欢在假期或节日期间购物吗?
喜欢(请回答问题三十七)
不喜欢(请回答问题三十一)

问题三十七.将来你希望製造雕像吗?
希望(请回答问题三十二)
不希望(请回答问题三十八)

问题三十八.你十分挑剔你内衣裤的款式吗?
是(请回答问题四十)
否(请回答问题三十九)

问题三十九.你对製造手工艺有兴趣吗?
有兴趣(请回答问题三十三)
没有兴趣(请回答问题二十七)

问题四十.你是否一个追随时装潮流的人呢?
是(你属于C型)
否(你属于D型)


解答


* A型:
你是一个外向和乐观的人。虽然你也有挫折失败的时侯,



露天卖场: 按此连结
奇摩卖场: 按此连结
。同性朋友很难了解你, 大大们觉得亚太活动怎麽样
<中不乏高级和时尚的泡汤住宿环境,但全新开幕的「亚诺温泉时尚恋馆」则是大大颠覆了游客对温泉会馆的印象,因为亚诺以紫色时尚设计为主轴,融合温泉会馆和时尚汽车旅馆的休息住宿空间,提供给游客全然不同的泡汤渡假新体验。br />
问题二.你较喜欢星形还是心形的项链呢?
星形(请回答问题三)
心形(请回答问题九)

问题三.你喜欢玩洋娃娃或机械人吗?
喜欢(请回答问题十一)
不喜欢(请回答问题四)

问题四.你对中国的传统服式有兴趣吗?
有兴趣(请回答问题十一)
没有太大兴趣(请回答问题五)

问题五.你的衣柜裡有红色的衣服吗?
有(请回答问题六)
没有(请回答问题十二)

问题六.你愿意申请一份需要工作经验的职位吗?
愿意(请回答问题七)
不愿意(请回答问题十三)

问题七.你受到朋友的欢迎, 离开东照宫后续往华严瀑布出发
此时路途温度显示11度
约一个多小时的车程经过伊吕波山道即到达华严瀑布
哇~下车感觉好冷,应该是10度以下吧
这里是赏枫的胜地,由途中的车border="0" />
↑三月银盐週记
March 11 2012
三月当代艺术馆的某个展览。

针对肌肉、骨骼及生理机能尚在发育中的孩童,我特别推荐使用优乐笔,来帮助孩童握笔书写。
我尚未发现art, they have referenced such classic works as: the landscape paintings of Fan Kuan, Guo Xi and Li Tang of the Northern Song, all treasures of the National Palace Museum; Yuan-dynasty master Huang Gongwang; Ming masters Shen Zhou and Tang Yin; Giuseppe Castiglione, the amalgamator of East and West who painted for the Chinese imperial palace; and the early Taiwanese modern art master Shui-Long Yen. Their appropriations also include: ancient bells and urns used in imperial chambers, iconic historical photographs, ancient tomes and poetry. Based on the subject matter of the appropriated works, the exhibition is divided into seven categories, harkening back to the classification system of dynastic China: Landscapes; Taoism and Buddhism; Human Figures; Tales of the Mysterious; Calligraphy; Flowers, Birds and Beasts; and Photographic Images. In this way, it examines the intentions of contemporary artists in appropriating these classic works, and the ways in which they have refashioned the past.
In Taiwan of the 1960s, the influential art forms arriving from the West were predominantly abstract and conceptual art. It was not until the 1990s that Western Dadaism and Warholian pop art began to have a significant impact. After the end of martial law in 1987, the pace of democratization in Taiwanese society quickened, and social attitudes gradually opened up. This was reflected in art with a broadening of thought and diversification of creative elements and subject matter. In “postmodern” society with its commercialization and mass reproduction of images, “classic works” and literary narratives became disengaged from their cultural contexts, losing their functions as palace decorations and sources of enlightenment. No longer was art the symbolically expressive, elite works of the traditional humanities. It had moved from the refined, gentrified classes of the past to the popular culture of today.

For the contemporary age, these classic works present richly beautiful, powerful images and a sense of mystery engendered by distance in time. Yet unlike dynastic-era artists whose imitations were based on the foundation of “reverence for antiquity,” these famous works, after having undergone mass reproduction, ceased being rarely glimpsed works of the imperial court and became “images” that anyone could behold or obtain at a moment’s notice. They had even lost the textures and brushstrokes of the original, existing in a “flattened” state. Ruminating on local history, cultural values and identity, Taiwanese contemporary artists made use of those artworks that once adorned imperial power and symbolized the tastes of the literati class, engaging in a dialogue with their own history and culture, disassembling, reassembling, re-creating and altering the styles and subject matter of classic works through symbolic or allegorical images in order to enunciate their views on the present-day state of affairs through simile or metaphor. These include: consideration and breakthroughs in aesthetics and forms of expression; criticism of the current state of Taiwanese society, history and culture; voicing of their own inner ideal worlds and feelings about life; and the transformation of the artistic tastes of the past to a popular, commercial aesthetic more closely oriented toward everyday life. At the same time, as contemporary artists re-examine and re-create classic works of the past, they also re-accentuate and rediscover the artistic accomplishments of the past in light of new definitions and the perspective of art history. As artists refabricate the past, amid this convergence of dual-directional observation, discovery, transformation and original creation, they yield a wealth of meaning and limitless possibilities of expression in the contemporary era.



↑TIME GAMES: CONTEMPORARY APPROPRIATIONS OF THE PAST in Taipei Fine Arts Museum
March 4 2012 台湾当代.玩古喻今
有一种说故事的感觉。

Comments are closed.